Art in the mid 20th century was very box-y, so I carried that into my design with justified text and a box-y two column layout. Also, sans-serif fonts were very popular in design at this point, so I went with Roboto for version one and the body text of version two. The headers in version two used a font inspired by and named after Stravinsky, which was a natural choice given he was the subject of the site.
I kept the heirarchy and structure of version one more conventional, with images that fit on the page, clear indentations for subsections, left aligned text, and underlined links. I had a lot more fun with version two, although it is maybe a little more difficult to interact with. The floating signature covers some of the images, which are often too tall for the site, the user has to hover to find links, and the right aligned headers are sometimes harder to read, but these choices elevated the site, which felt in line with the content about a devisive and somewhat difficult to access composer.